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Channel: FilmmakerIQ.com » Distribution/Film Festivals
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How To Make Indie Filmmaking Profitable In The Age of Tentpole Franchises

Kathryn Arnold sits down with Cindy Nelson-Mullen, Co-CEO of MonteCristo International, an international sales agent/production company, and discussed with her the elements it takes to make a...

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Four Tips for Festival Rejectees

You didn’t get the acceptance notice you wanted? Now what? Sheri Candler offers four tips for the rejectee though some of these may be good to think about while you’re in development. Your film didn’t...

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TROPFEST NY 2013: The Worlds Largest Short Film Festival

There are a lot of film festivals all vying for your attention, but here’s a rare one Filmmaker IQ can support – a unique shorts festival with a long established history and strong industry...

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Introducing Vimeo On-Demand – A DIY distribution platform

Vimeo On Demand is direct-to-fan distribution done the Vimeo way — with all the power of Vimeo’s best-in-class video player, easy-to-use tools, and passionate audience. Creators of all types can...

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How Long Should a Short Film Be for Submission for Film Festival?

HollyShorts Film Festival Daniel Sol answers the question of how length of film affects it’s chance of getting into festivals. From personal experience – I’ve run a couple 20+ minute shorts through the...

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China’s Censorship of Hollywood Films

Quentin Tarantino’s “Django Unchained” was re-released in China after censors made changes to the film to meet the country’s strict standards. Seth Doane of CBS Newsreports.

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YouTube is Becoming Like Traditional TV – Is it Worth Paying For?

The wild west was conquered with barbed wire. Will the internet be conquered by pay walls? ONE of the most popular videos this month on YouTube, an online video site, is a commercial by a bottled-water...

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Movie Marketing Advice from Harvey Weinstein

Harvey Weinstein sent this quick memo to Errol Morris on his appearance on NPR to promote the film “The Thin Blue Line”: Dear Errol: Heard your NPR interview and you were boring. You couldn’t have...

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Drive-Ins Soon Face Hollywood’s Digital Switch

The Drive-In Theater, an heirloom from a bygone era, will face another challenge as Hollywood moves away from 35mm film to digital distribution. Pull into the Bourbon Drive-In just off U.S. Highway 68...

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The New “Soft” Money

Forget the fairy tale of Kickstarter enabling Zach Braff the freedom to have director’s cut. The real success story is not how that money can be put into use in production but what it means in the eyes...

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The #1 Reason Your Movie Will Not Get A Distribution Deal by Jon Reiss

Filmmaker John Reiss lays out the cold hearted truth about why your film will probably not get distribution.

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A Short History of Coming Attractions

 Jason Kehe and Katie M. Palmer trace the history of movie trailers in this Art of Trailer for Wired Magazine. We’re obsessed with movie trailers. This year fans watched more than a billion on YouTube...

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Puppets explain Copyright on YouTube

Glove and Boots attempt to make sense of the copyright policies on YouTube. Now if the this copyright notifications from large companies actually made sense… Via NoFilmSchool.com

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Vimeo or YouTube? Where Should You Post Your Videos?

Ron Dawson provides a few thoughts on the difficult question of which service to post your content to: I often get asked whether it makes more sense to post a video to YouTube or Vimeo. As far as I’m...

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Why There Are So Many Terrible Movies on Netflix

Meghan Neal explains how Netflix with it’s wealth of data on consumer streaming habits may have revived the B-Movie industry: It’s finally happened: I’ve run out of things to watch. The blockbuster...

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How to make a DCP (Digital Cinema Package) on your own computer

When it comes down to projecting your film for the big screen, the DCP is quickly becoming an industry standard. But how can you get your film in this format and most importantly – can you do it on...

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It Takes a ‘War Room’ to Launch Netflix’s Series

Go behind the scenes of the of a Netflix launch as their premiere new episodes of “Orange is the New Black” Netflix’s Internet video subscription service works around the clock, but it’s unusual for...

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The Secret Origins of He-Man and the Masters of the Universe

This documentary goes through the history of how 80′s animated series “He-Man”, one of the first animated series designed to be broadcast 5 days a week, came to be.

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Tips For Getting Into Sundance from Sundance Programmers

Film Independent asked Sundance programmers Kim Yutani and Lisa Ogdie to give us the scoop on how the process works and tips to help filmmakers give their films a fighting chance. 1. Focus on the film....

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The New “Soft” Money

Forget the fairy tale of Kickstarter enabling Zach Braff the freedom to have director’s cut. The real success story is not how that money can be put into use in production but what it means in the eyes...

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